Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
Emmmm……这部电影再次告诉我人老了就不能太瘦(锤
简单而小场景的惊悚片。开始就表明有有内鬼得查，最后的内鬼反转还不错，只不过整场几乎都靠这两个人的对话，与回忆联动，推进剧情发展，确实没啥跌宕起伏的。出彩的居然是点到为止的床上戏。
氛围感营造得不错，夕阳下的餐厅显得很有格调，全程都是进餐过程的对话来一步步揭开剧情，回忆穿插其中，最后凶手呼之欲出，是爱，是误会，相爱相杀欲拒还迎的一对，床戏也拍得不错，总体是有新意，披着谍战片的外衣讲述一个凄美的爱情故事。
难为导演能把这么点事拍这么臭长。作为一个精英谍报人员，在洗澡期间手机上有个刚威胁过自己的人给自己打的未接来电，然后自己小情人莫名其妙离开自己，自己竟然不做出点什么推测？精英谍报部门，办公室几个陌生电话都搞不清怎么回事？还有这片名，谁翻译的？神他么宝刀未老，翻译成陈年老伤都比这个要贴切吧？
至于本作不论卡斯还是故事 都算是制作精良 张弛有度的商业惊悚作品。。。依旧是家国与爱情的选择题 没有标准答案 也没有绝对是非对错
看开头以为是个很错综复杂的悬疑片，于是特意做笔记整理人物关系和行为动机，结果看到最后发现，这是什么狗天下之大血的迷惑爱情……
分了好几段才看完，男主的一片真心喂了狗啊。。。
当女主最终明白男主出卖情报之后，明白了男主的深爱，但是已经无力回天。男主已经喝下了毒酒。
特工为了救女友同事的生命，透露情报，没料到后果严重，机组乘客全部死亡。两人误会多年，最终审判还是来了。本来是惊险刺激加悲剧的，不停闪回的剪辑，慢悠悠的推进，把气氛搞乱了。坦迪苦瓜脸，已经老了。
我觉得还好啊 绝对比普通流媒体平台电影的水平高吧
一个藏在谍战外壳里的真爱故事，倒叙回忆和出色的氛围渲染，有种末日危情的悲壮底色
Bang bang, that awful sound
男人因为在国家和爱人之间选择了爱人而失去爱人并最终失去生命的故事。
穿插着无聊床戏和回忆旧情的假悬疑片，想剑走偏锋地去讲述谍战片，却连故事也没讲好。派克船长最近接不到好片了吗？最近一部《承包商》也是烂得如出一辙 @Prime Video
前面铺垫了那么久就是为了最后的床戏？？？看到后面太无聊了！哦！不！前面也无聊། – _ – །
虽然反转反转了，但节奏比较慢，也没什么刺激惊现的场景。披着悬疑皮子的爱情片，哎……
zzzq，非得给帅哥派恩安排个这样的女友～冤冤相报何时了，明明可以冤有头债有主，非得下这么大一盘棋～面包师傅脑洞也是开得大～
我与烂片纠缠的一生…没人懂我有多喜欢看烂片然后在一星大军中贡献自己的力量 这该死的浪费时间的迷人感（笑 毛晓彤和杨玏是真的好磕 剧情也是真的梗住 总之我在一片“快逃”中义无反顾逆流而上 浪费了整整一小时四十二分钟看毫无意义的男女分手大戏🥰
以恐怖袭击，内鬼谍战为主线，最后歌颂了爱情，片尾曲推荐听一听
好一个相爱相杀，所以说有句老话叫做打开天窗说亮话，误会太深了呀。最终还是女人狠嗬。
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