Exploring the role and symbolic meaning of the Crown Jewels in the centuries-old coronation ceremony, The Coronation shows these objects of astonishing beauty in new high-resolution footage. The film tells the extraordinary story of St Edward's Crown, which was destroyed after the English Civil War and remade for the Coronation of Charles II in 1661. It has only been worn by Her Majesty once, at the moment she was crowned.
On 2 June 1953, on one of the coldest June days of the century and after 16 months of planning, The Queen set out from Buckingham Palace to be crowned at Westminster Abbey, watched by millions of people throughout the world. A ceremony dating back more than a thousand years was to mark the dawn of a new Elizabethan age.
Viewing both private and official film footage, The Queen recalls the day when the weight of both St Edward's Crown and the hopes and expectations of a country recovering from war were on her shoulders, as the nation looked to their 27 year-old Queen to lead them into a new era.
In the film, The Queen says: 「I've seen one Coronation, and been the recipient in the other, which is pretty remarkable.」
For audiences unfamiliar with the story of the Crown Jewels and the regalia, the film explains their contemporary relevance to the UK as a nation and to the enduring purpose and the work of monarchy. They are symbols of the relationship between the Sovereign and the people, and the duties and responsibilities of leadership.
The film also features eyewitness accounts of those who participated in the 1953 Coronation, including a maid of honour who nearly fainted in the Abbey, and a 12 year-old choirboy who was left to sing solo when his overwhelmed colleagues lost their voices.
我也是7.26生日，7.27发现了这部，看完的时候已经7.28了。
希望你明天能好好的，后天能好好的，以后的每一年都能好好的。
爱情起始于一些奇奇怪怪的缘分，这才是顺其自然的恋爱呀。最喜欢本片的是，没有插入过多的bgm但是很能带入其中。伊藤莎莉的声音我很喜欢，倒叙回顾人从陌生到熟悉，再从熟悉到陌生，很落寞啊。伊藤莎莉演技很不错啊。
整体挺中规中矩，但还是有些很美的瞬间。（贾木许含量过高
分手情侣还能这么拍啊，怪啊，好怪的时间顺序，纯倒叙才带来的复杂感受！
不错，感觉在本片中，松居大悟一直迷恋的时间结构才真正发挥作用。同一天的倒序排列共同组成一次漫长的闪回，剧场的相遇衔起首尾，正在发生的每一刻都与之前的某一刻构成精巧的呼应和微妙的共振，苦与乐、悲与喜、分离与相遇、沉默与言说、坚持与放弃互相交织映照。真唏嘘啊，我们注定在相拥的同时擦肩而过，正如你的生日总是超了7分钟，可是绿灯却刚好亮起，向前行驶，是你操纵了我的车灯，照亮前方的道路。
稍微想起一起 想起了花束 想起密度蓝 池松壮亮这几年接到的片子还都不错
拍得挺可爱～最近看的几部日影都蛮动人 ps伊藤沙梨原来这么可爱，以前当配角完全没挖掘出她的长处嘛
3.5/倒叙插叙不断回溯，“稍微想起一些”，再想起一些，那些碎片，原来还做过恋人，原来一开始因为舞蹈相遇……出租车司机的身份也和男主床头贾木许的地球之夜相呼应，从开始都是萍水相逢的陌生人，到最后也只不过是回到了陌生人而已。
疫情下女出租车司机与男舞者的爱情。这一对选的不错。
前面平淡到有啲悶到眼瞓，後來二人偷入水族館開始先好啲。硬要比都係花束更勝一籌，雖然both非我杯茶
8/10
在深夜无人的商店街起舞吧。踮起脚尖，请你以我的掌心为支点旋转。休馆日偷偷溜进水族馆，不要被人发现呐，金色发光水母的正下方，屏住呼吸来接吻，你轻轻颤动的睫毛好长。“自由，看到这些鱼儿，感受到摆脱重力束缚的，无限的自由。”我说，可是你却提起寿司来，这可有点不妙。
我喜欢到处看看，但又不知道去哪，乘客刚好会告诉我去哪
看到最后就觉得，果然爱情还是需要一些奇妙的支点
哇 水族馆两场 一场巨大蓝色水缸前的slow dance 一场拿抹布擦脸上的雨水 还有结尾都让我哭 就是说和贾木许没太大关系本质还是日式恋人絮语般的关于时间记忆和爱情的故事 甚至也完全不是很新颖 but there’s just something about it? the sincerity maybe or it’s only me //带字幕再看一遍发现不仅是倒叙哇 从永濑正敏“一定会在未来见到她”“终于见到了” 到重复出现的各色配角简短的人物线发展 到舞台上想象中的现在和曾经 线性时间的模糊 回忆/现实/想像边界的模糊 某种程度上是back to the future哇
开始总是分分钟都妙不可言。喜欢最后的停顿。稍微想起了一些，在每个生日，及某些落日。但无论如何，日出会一如往常。
刷小红书看到的跟花束可以媲美的电影
只是稍微想起一些，但却是每一位爱过的人都可以代入的另一些，私藏的线路，想去的星星，不想和人分享的蛋糕
总的来说，没有特别多感觉，有点平淡，比我的日常生活还平淡。
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