大概是法国第一部描写女同志的故事片吧。
Olivia (also known as Pit of Loneliness) is a 1951 French film directed by Jacqueline Audry. It is based on the 1950 semi-autobiographical novel by Dorothy Bussy. It has been called a "landmark of lesbian representation". Olivia arrives at a finishing school and falls in love with headmistress Mlle. Julie. Mlle. Julie feels the same, but tries to suppress her desire. For her part as Mlle. Julie, Edwige Feuillère was nominated for a BAFTA award for Best Foreign Actress in 1952.
French director Audry made 18 feature films from 1944 to 1972. Her earliest films are prime examples of the French 'tradition of quality.' She favored plots adapted from French literature. Audry is most distinguished from her peers in that her films were primarily focused upon female leads, whereas traditional French cinema is centered around the lives of men. Her most notorious film was 1951's Olivia, which dealt with lesbian relationships.
两位不同程度扭曲的“父爱”…和一个强心脏女儿的故事
煽情高潮的部分稍有一点浮夸，其实真正打动人的反而是低谷时雪中徒步走几英里差点买不起汽油相互扶持那些点滴生活
把第一部的优势全部抛弃另起炉灶，好在视听上还是有想法的
美国的警察效率太低下了，有人死到了车里，一栋房子被烧了，他们竟然一点儿都不知道。不过总体而言，影片的主体部分还算紧张刺激，整体故事线也比较清晰完整
面对棘手的事情不要放弃，事情只会越来越棘手；让我们为自己的坚持鼓掌，为支持的家人朋友鼓掌，为我们平凡而闪耀的人生鼓掌！
美国主旋律逻辑： 平凡人能成为英雄 是因为捍卫遵守了美国价值观
没有耍花样的过分刻意的桥段，剧情和表演都很平实稳健，主题强调亲人之间的互相支持！
所以时间顺序到底是在前还是在后？老头怎么会死？！迷迷糊糊
缺失了第一部中，让观众都不由自主屏住呼吸的紧张感，有两个特别血腥的场面：1.用铲子把人脑袋拍扁，2.用两个大拇指把反派大boss眼睛戳瞎。还有一个躺在水里装死，水纹波动到手上的创意。这些都是不错的桥段，其余都在爽片中比较常见。
从恐怖片变《飓风营救》了？老头也太能打了吧，纳美人瑟瑟发抖。一部戏同时完成弑父和弑母的两大悲剧主题，女主也太悲剧了。
飞机上面看的…拍得工整但感人啊…人物塑造都挺精准的
故事很简单，演员也不怎么知名，草根程度和励志效果都挺好的-7分
放在八十年代可能只是普通体育励志电影，放在今天反而成了罕见的不恶心人的好电影了。
演技8
和后半段快意的虐杀
但是这第二部确实比第一部精彩，
过于平静了，不过作为纪录片儿。感觉原型太牛逼了。
每场比赛结束他都会亲吻妻子，我还以为是戏剧化的处理，结果竟然是真的，佩服。
不吓人 不惊悚
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